Digital Photographing and Imaging / Project 2A: Double Exposure (Week 7)
|| 4/11/24 (Week 7)
|| Tee Zi Tong, 0366165
|| Digital Photographing and Imaging
|| Project 2A: Exercise 1 - Double Exposure
LECTURER
Basics of Color Theory
- Color theory combines science and art, focusing on how humans perceive color and the emotions they convey.
Color Models (
Red, Green, Blue)- Used for screens and digital displays, an additive model where colors are created by combining light.
- A subtractive model for printing, where colors are produced by subtracting light.
Color Terminology:
- Hue: The basic color.
- Shade: A hue with black added (e.g., burgundy from red).
- Tint: A hue with white added (e.g., pink from red).
- Tone: A hue with both black and white (grey) added.
Color Harmony:
Monochromatic: Uses one color in various shades and tints.- Analogous: Combines colors next to each other on the color wheel, creating subtle contrast.
- Complementary: Combines opposite colors on the wheel, providing strong contrast.
- Split-Complementary: Uses one base color and two adjacent complementary colors for balanced contrast.
- Triadic: Evenly spaced colors on the wheel, offering vibrant contrast and harmony.
Color Psychology:
- Warm Colors (reds, oranges, yellows): Often evoke energy and happiness, but can also signal danger.
- Cool Colors (blues, greens, purples): Typically soothing, though purple can spark creativity.
- Black: Adds sophistication and mystery; often used for text and backgrounds.
- White: Conveys cleanliness and pairs well with most colors.
TASK PROGRESSIONS
Instructions
Project 2A - Exercise 1 - Double Exposure
Part 1:
A. Double Exposure Follow Tutorial (W7_DOUBLE EXPOSURE_TUTORIAL - Google 幻灯片)
B. My Own Double Exposure
Part 2:
- submission of E-portfolio
- attach your Week 7 E-portfolio link on this submission
Progressions
A. Double exposure Follow Tutorial
1. Open the Portrait in Photoshop:
- Use the W key to access Object Selection, Quick Selection, or Magic Wand tools.
- On the Options bar, click on Select Subject, then enter Select and Mask mode.
- Choose the Refine Edge Brush Tool to enhance the selection. Adjust the brush’s size and hardness to refine.
3. Refine and Output the Selection:
- Clean up the background, carefully check the edges, then set the output to Layer with Layer Mask. Click OK to exit Select & Mask.

4. Create a New Background Layer:
- Add a New Layer and fill it with a Solid Color (rename it to “background” or “bg”). Place this layer underneath the portrait.
5. Enhance Contrast for the Portrait:
- Add a Curves Adjustment Layer and create an S-shaped curve to boost contrast. Right-click the curve layer and select Clipping Mask to apply it only to the portrait.
6. Add and Position the Forest Image:
- Bring in the forest image, position it appropriately, then select Clipping Mask. Use the Eyedropper Tool to match the solid color background to the gray tones in the sky.
- Add a Mask to the forest layer and, with the Brush Tool (foreground color set to black), gently reveal the portrait’s face.
7. Duplicate, Flip, and Adjust the Forest Layer:
- Duplicate the forest layer, flip it vertically, and reposition. Apply a Clipping Mask and adjust both the mask on this layer and the one on the portrait for the best effect.
8. Add Birds with Blending Modes:
- Insert the images of the birds, then use the Darken or Multiply blending mode to remove any white backgrounds.
9. Add a Gradient Map for Finishing Touches:
- Apply a Gradient Map Adjustment Layer to experiment with color tones. Lower the opacity for subtlety and blend it with the rest of the image.
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