Digital Photographing and Imaging / Project 2A: Double Exposure (Week 7)

|| 4/11/24 (Week 7) 

|| Tee Zi Tong, 0366165

|| Digital Photographing and Imaging 

|| Project 2A: Exercise 1 - Double Exposure  

LECTURER 

Basics of Color Theory

  • Color theory combines science and art, focusing on how humans perceive color and the emotions they convey.

Color Models (

Red, Green, Blue)
  • Used for screens and digital displays, an additive model where colors are created by combining light.
CMYK (Cyan, Magenta, Yellow, Black)
  •  A subtractive model for printing, where colors are produced by subtracting light.

Color Terminology:

  • Hue: The basic color.
  • Shade: A hue with black added (e.g., burgundy from red).
  • Tint: A hue with white added (e.g., pink from red).
  • Tone: A hue with both black and white (grey) added.
  • Color Harmony:

    Monochromatic: Uses one color in various shades and tints.
  • Analogous: Combines colors next to each other on the color wheel, creating subtle contrast.
  • Complementary: Combines opposite colors on the wheel, providing strong contrast.
  • Split-Complementary: Uses one base color and two adjacent complementary colors for balanced contrast.
  • Triadic: Evenly spaced colors on the wheel, offering vibrant contrast and harmony.

Color Psychology:

  • Warm Colors (reds, oranges, yellows): Often evoke energy and happiness, but can also signal danger.
  • Cool Colors (blues, greens, purples): Typically soothing, though purple can spark creativity.
  • Black: Adds sophistication and mystery; often used for text and backgrounds.
  • White: Conveys cleanliness and pairs well with most colors.
Lecturer Slide:

<iframe src="https://drive.google.com/file/d/1Wbetx09rbWN4Bii-r9TmbasLn47utkyw/preview" width="640" height="480" allow="autoplay"></iframe>

TASK PROGRESSIONS 

Instructions 

Project 2A - Exercise 1 - Double Exposure 

Part 1:

 A. Double Exposure Follow Tutorial (W7_DOUBLE EXPOSURE_TUTORIAL - Google 幻灯片)

 B. My Own Double Exposure 


Part 2:

- submission of E-portfolio

- attach your Week 7 E-portfolio link on this submission


Progressions 

A. Double exposure Follow Tutorial 

1. Open the Portrait in Photoshop:

  • Use the W key to access Object Selection, Quick Selection, or Magic Wand tools.
  • On the Options bar, click on Select Subject, then enter Select and Mask mode.
 

2. In Select & Mask Mode:
  • Choose the Refine Edge Brush Tool to enhance the selection. Adjust the brush’s size and hardness to refine.


3. Refine and Output the Selection:
  • Clean up the background, carefully check the edges, then set the output to Layer with Layer Mask. Click OK to exit Select & Mask.

4. Create a New Background Layer:

  • Add a New Layer and fill it with a Solid Color (rename it to “background” or “bg”). Place this layer underneath the portrait.

5. Enhance Contrast for the Portrait:

  • Add a Curves Adjustment Layer and create an S-shaped curve to boost contrast. Right-click the curve layer and select Clipping Mask to apply it only to the portrait.


6. Add and Position the Forest Image:

  • Bring in the forest image, position it appropriately, then select Clipping Mask. Use the Eyedropper Tool to match the solid color background to the gray tones in the sky.
  • Add a Mask to the forest layer and, with the Brush Tool (foreground color set to black), gently reveal the portrait’s face.

7. Duplicate, Flip, and Adjust the Forest Layer:

  • Duplicate the forest layer, flip it vertically, and reposition. Apply a Clipping Mask and adjust both the mask on this layer and the one on the portrait for the best effect.


8. Add Birds with Blending Modes:

  • Insert the images of the birds, then use the Darken or Multiply blending mode to remove any white backgrounds.


9. Add a Gradient Map for Finishing Touches:

  • Apply a Gradient Map Adjustment Layer to experiment with color tones. Lower the opacity for subtlety and blend it with the rest of the image.


Final Work 



B. My Own Double Exposure 

I tried creating a double exposure image using a portrait of myself. I followed a similar process to what we learned, adapting each step to make it my own.

Original Picture 


Progressions 






I made a layered effect by vertically mirroring the forest image that given by Mr. Fauzi. Additionally, I used a cool-toned gradient to create a modern, fresh vibe. I used birds and clouds on different levels to provide texture, which improved the piece's feeling of depth and gave it a calm, organic vibe.

Final Work








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